A young boy discovers a deadly alien creature and winds up entangled in a top secret government operation.

暂无剧情简介

暂无剧情简介

In 1979, when Margaret Thatcher's first government breaks a promise to establish a Welsh language television channel, a wave of civil disobedience follows. One man - Gwynfor Evans - threatens to starve himself to death unless the government comes good on its manifesto pledge. The reimagining of one of the most colourful chapters in contemporary Welsh history.

"We are the old man. Life is the sea, and loneliness is the lake. " 　　“我们就是老人，生命就是大海，孤独就是湖泊。” ---- Camilo Cavalcante

"We are the old man. Life is the sea, and loneliness is the lake. " 　　“我们就是老人，生命就是大海，孤独就是湖泊。” ---- Camilo Cavalcante

音樂紀錄片《L.O.V.E. in F.R.A.M.E.S.》由DUO團隊擔任和音之一的張傑邦執導，內容為陳奕迅(Eason)與DUO 團隊在2010至2012 年《DUO陳奕迅演唱會》世界巡迴演出期間的幕後花絮，以及6年間先後到英國、廣州及香港等各地錄音室灌錄《L.O.V.E.》專輯的製作過程。 　　一共舉行66場，歷時超過2年的《DUO陳奕迅演唱會》，從互不相識的成員，漸漸成為不可或缺的拍檔，當中也有不少有趣的片段。例如鼓手恭碩良非常佻皮，錄音時裝神弄鬼的帶著臉具到處嚇人；鋼琴師孫偉明在演出時過於興奮，彈鋼琴期間用力過度導致手肘骨折；和音成員分享到巡演期間聽得最多的就是Eason的道歉，而Eason也坦言因為成員們只會當他是個平凡人，只是團隊中擔任主音的角色，大家無分彼此，所以整個團隊玩得很開心； 一幕幕珍貴的回憶，都讓觀眾在2小時內一同見證到DUO 團隊的友愛時刻。

音樂紀錄片《L.O.V.E. in F.R.A.M.E.S.》由DUO團隊擔任和音之一的張傑邦執導，內容為陳奕迅(Eason)與DUO 團隊在2010至2012 年《DUO陳奕迅演唱會》世界巡迴演出期間的幕後花絮，以及6年間先後到英國、廣州及香港等各地錄音室灌錄《L.O.V.E.》專輯的製作過程。 　　一共舉行66場，歷時超過2年的《DUO陳奕迅演唱會》，從互不相識的成員，漸漸成為不可或缺的拍檔，當中也有不少有趣的片段。例如鼓手恭碩良非常佻皮，錄音時裝神弄鬼的帶著臉具到處嚇人；鋼琴師孫偉明在演出時過於興奮，彈鋼琴期間用力過度導致手肘骨折；和音成員分享到巡演期間聽得最多的就是Eason的道歉，而Eason也坦言因為成員們只會當他是個平凡人，只是團隊中擔任主音的角色，大家無分彼此，所以整個團隊玩得很開心； 一幕幕珍貴的回憶，都讓觀眾在2小時內一同見證到DUO 團隊的友愛時刻。

A couple decides to have a free pass to be with another person without it being considered cheating, causing them to question the terms of their relationship. Maia and Caetano have been living together for a year and, upon signing a cohabitation agreement for their health insurance, they experience the true impact of monogamy. During a game with friends, they both choose one that is permitted for themselves. However, when the hypothetical situation becomes reality, they rethink the limits and desires of their relationship.

Feeling that her mother may no longer be able to live on her own, a woman moves back to her childhood home. As she tries to adapt to the new situation, her mother continues to drift away. 　　It Shouldn’t Rain Tomorrow, by Maria Trigo Teixeira, is a delicate and emotional short film about returning home and facing a parent’s ageing. A woman moves back to her childhood house, feeling her mother can no longer live alone. As she tries to adjust to this new reality and reconnect with her mother, an invisible distance grows between them. While the daughter tries to get closer, the mother slowly drifts away into her own world. A sensitive reflection on fragility, time, and the challenge of dealing with change within the family. (Liedson Carvalho)